Please change your selection or click Deselect.
Herkules Hall of the Munich Residence
Bach: Violinkonzert D-Moll
Tartini: „Teufelstrillersonate“
Händel: Suite für Trompete und Streicher
Corelli: Weihnachtskonzert
Haydn: Trompetenkonzert
Tschaikowski: Suite aus „Nußknacker“ und „Schwanensee“
ROMAN KIM - Violine, GABRIELE CASSONE - Trompete & Residenz-Solisten
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Rossini: Ouverture zu „Diebische Elster“
Mozart: Symphonie Nr.31 D-Dur „Pariser“
Gershwin: Rhapsody in blue
Mozart: Klavierkonzert Nr.9 Es-Dur „Jeunehomme“
Strauß: „Fledermaus“-Ouvertüre & Polkas
Jure Gorucan - Klavier & Residenz Solisten
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Vivaldi: Violinkonzert „l‘estro armonico“
Telemann: Tafelmusik für Trompete, Oboe & Streicher
Händel: Suite für Trompete & Streicher D-Dur
Haydn: Trompetenkonzert
Beethoven: Symphonie Nr.3 „Eroica“
GABRIELE CASSONE - Trompete & Residenz Solisten
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.