Variable program

Every Saturday you can expect a special cultural hallmark in the Munich Residence troughout the year. The Residence Soloists are performing in the Court Chapel (Hofkapelle) The historical atmosphere of the court chapel in which also Mozart was performing concerts lets you get in touch with the music of old times. You will find weekly changing performances with masterpieces ranging from Bach, Vivaldi, Haydn and Mozart.

Please notice: In summertimes the old court chapel is cool and in wintertimes it can be cold! please wear warm clothes. 

Wolfgang Amadeus Mozart: Piano Sonata No. 9 in A minor, K. 310
Johannes Brahms: Piano Pieces, Op. 11
Ravel: Klavierstücke: „Menuet sur le nom D‘Haydn“ & „A la maniere de Borodine“ & „À la manière de Emmanuel Chabrier“ 
Frédéric Chopin: Polonaise in A-flat major, Op. 53

Resident Soloist: Yunling Keng – Piano

This concert series serves as a tribute to Mozart, who gave a concert with his sister Nannerl in Nymphenburg Palace to Elector Maximilian III when Mozart was only seven years old and thus went down in history.

Wolfgang Amadeus Mozart – Piano Sonata No. 9 in A minor, K. 310
This sonata is one of Mozart’s most dramatic keyboard works and one of the few he composed in a minor key. Written in Paris in 1778 during a difficult period of his life, it reveals an unusual intensity of expression. The turbulent first movement contrasts with the lyrical and introspective Andante, while the energetic finale combines virtuosity with a sense of restless drive.

Johannes Brahms – Scherzo in E-flat minor for Piano, Op. 4
This powerful early work shows the young Brahms at his most passionate and virtuosic. The Scherzo features bold rhythms, dramatic contrasts, and sweeping pianistic textures. Despite its youthful intensity, the piece already displays Brahms’s characteristic structural strength and rich harmonic language.

Maurice Ravel – Menuet sur le nom d’Haydn & À la manière de Borodine
These two short pieces reveal Ravel’s refined sense of musical style and wit. The Menuet sur le nom d’Haydn was written as a tribute to Joseph Haydn, transforming the composer’s name into a musical motif. In À la manière de Borodine, Ravel playfully evokes the style of Alexander Borodin, creating a charming and elegant homage.

Frédéric Chopin – Polonaise in A-flat major, Op. 53 (“Heroic”)
One of Chopin’s most celebrated piano works, this Polonaise combines grandeur, virtuosity, and powerful rhythmic drive. The distinctive rhythm of the Polish national dance is transformed into a brilliant and heroic musical statement. With its sweeping gestures and orchestral sonority, the piece stands as a symbol of Romantic pianistic brilliance.

Mozart: Klaviersonate Nr. 9, KV 310
Brahms: Klavierstücke op. 118
Ravel: Klavierstücke: „Menuet sur le nom D‘Haydn“ & „A la maniere de Borodine“ 
Chopin: Polonaise, op. 53

Residenz-Solistin: Yunling Keng - Klavier

In the historic Mars–Venus Hall of the National Museum, an audience gathers in search of silence, concentration, and the atmosphere of a historic space. Here, surrounded by sculptures and classical ornamentation, a piano recital unfolds that ranges from the elegance of Mozart to the expressive drama of Chopin—an evening in the spirit of the great salon tradition, intimate yet marked by remarkable virtuosity.

The program opens with Piano Sonata No. 9, K. 310 by Wolfgang Amadeus Mozart. Its sparkling clarity, lightness, and elegance fill the room while creating a sense of intimate connection with the listener.

In the Piano Pieces, Op. 118 by Johannes Brahms, another dimension emerges. Thoughtful melancholy, harmonic depth, and subtle rhythmic nuances shape these miniatures. Moments of quiet intensity arise, drawing the audience into a world of introspection and reflection.

With “Menuet sur le nom d’Haydn” and “À la manière de Borodine” by Maurice Ravel, French refinement and a touch of exotic color enter the program. Delicately shaded timbres, precise articulation, and sensitivity to stylistic allusions allow the music to sound like a dialogue across centuries.

The recital concludes with the Polonaise in A-flat major, Op. 53 by Frédéric Chopin—heroic, brilliant, and full of fire. Every chord and sweeping octave passage becomes a gesture of power and intensity.

Thus, the piano recital in the Mars–Venus Hall becomes a journey through musical worlds and eras. Mozart, Brahms, Ravel, and Chopin enter into a subtle dialogue, brought to life by the pianist Yunling Keng, who fills the historic setting of the museum with vibrant musical expression.

Variable program

Every Saturday you can expect a special cultural hallmark in the Munich Residence troughout the year. The Residence Soloists are performing in the Court Chapel (Hofkapelle) The historical atmosphere of the court chapel in which also Mozart was performing concerts lets you get in touch with the music of old times. You will find weekly changing performances with masterpieces ranging from Bach, Vivaldi, Haydn and Mozart.

Please notice: In summertimes the old court chapel is cool and in wintertimes it can be cold! please wear warm clothes. 

Wolfgang Amadeus Mozart – Rondo in D major, K. 485
Johann Sebastian Bach – Partita No. 1 in B-flat major, BWV 825
Frédéric Chopin – 24 Preludes, Op. 28

Resident Soloist: Haruka Ogawa – Piano

This concert series serves as a tribute to Mozart, who gave a concert with his sister Nannerl in Nymphenburg Palace with Elector Maximilian III when he was seven years old and thus went down in history.

Wolfgang Amadeus Mozart – Rondo, K. 485
Mozart’s Rondo in A minor, K. 485, composed in 1786, is a work of both elegance and expressive depth. Characterized by its lively themes and subtle contrasts, the piece blends playful charm with dramatic intensity. The recurring rondo theme provides a unifying thread, while each contrasting episode allows the performer to explore different colors, textures, and emotional nuances. Mozart’s clarity of form and melodic invention make this Rondo a masterclass in Classical style, balancing brilliance with expressive refinement.

Johann Sebastian Bach – Partita, BWV 825
Bach’s Partita No. 1 in B-flat major, BWV 825, opens the door to the intricate world of Baroque keyboard music. Each movement—allemande, courante, sarabande, and gigue—reveals the contrapuntal genius and rhythmic vitality for which Bach is renowned. The Partita demands precision and clarity, yet within its formal rigor lies expressive depth, as the performer navigates delicate ornamentation, harmonic exploration, and the lyrical interplay of voices. This work stands as a bridge between intellectual structure and expressive musical storytelling.

Frédéric Chopin – 24 Préludes, Op. 28
Chopin’s 24 Préludes, Op. 28, composed between 1835 and 1839, are miniature masterpieces that span the full spectrum of emotion and pianistic color. Each Prelude, though brief, offers a self-contained world of harmonic and melodic invention, ranging from lyrical intimacy to dramatic intensity. The cycle as a whole provides a panorama of Romantic expression, highlighting Chopin’s mastery of pianistic technique, nuanced touch, and emotional depth. The Préludes invite the performer to explore a variety of moods, textures, and expressive possibilities, making the set both a technical and interpretive journey.

Variable program

Every Saturday you can expect a special cultural hallmark in the Munich Residence troughout the year. The Residence Soloists are performing in the Court Chapel (Hofkapelle) The historical atmosphere of the court chapel in which also Mozart was performing concerts lets you get in touch with the music of old times. You will find weekly changing performances with masterpieces ranging from Bach, Vivaldi, Haydn and Mozart.

Please notice: In summertimes the old court chapel is cool and in wintertimes it can be cold! please wear warm clothes. 

Rossini: William Tell Overture
Mendelssohn: Violin Concerto in E minor – Allegro molto appassionato
Bruch: Violin Concerto No. 1 in G minor – Adagio; Finale: Allegro energico
Mendelssohn: Symphony No. 4 – Allegro
Bizet: Suite from the Carmen
Strauss II: Frühlingsstimmen Waltz (“Voices of Spring” Waltz)

Marcelino Rojas – Solo Violin & Residenz-Solisten 

At the master concert “Passion & Virtuosity of the Violin”, an evening of musical drama and sensual fascination unfolds. Marcelino Rojas, an internationally acclaimed violin soloist, joins the Residenz-Solisten in presenting a programme that captivates heart, mind, and senses alike.

The concert opens with the overture to William Tell Overture by Gioachino Rossini, bursting with majestic energy and filling the historic hall with vibrant life.

At the heart of the evening lies the Violin Concerto in E minor by Felix Mendelssohn. The Allegro molto appassionato reveals the violin in glowing intensity: Marcelino Rojas unites technical brilliance with expressive depth, while the Residenz-Solisten create a refined yet powerful orchestral foundation.

Following this, the Violin Concerto No. 1 in G minor by Max Bruch unfolds its full emotional range: the Adagio enchants with intimate lyricism and delicate tension, while the finale, Allegro energico, delights with dancing virtuosity and sparkling energy. Each movement becomes a sensual and poetic experience in which sound, space and emotion merge.

The Allegro from Symphony No. 4 brings sunny lightness, dancing rhythms and radiant melodies into the Max-Joseph-Saal. The suite from Carmen by Georges Bizet unfolds vibrant drama, sensual colours and orchestral brilliance, while the Frühlingsstimmen Waltz by Johann Strauss II concludes the evening with buoyant cheerfulness, elegance and sparkling joie de vivre.

This concert is an invitation to experience the world of the violin in all its expressive power, elegance and intensity – a master concert that sets new standards and turns every moment into a celebration of the senses. ?

Bach: Prelude and Fugue in G minor, BWV 874
Mozart: Piano Sonata No. 14 in C minor, K. 457
Prokofiev: Sonata in B-flat major, Op. 84

Resident Soloist: Chanyeon Jung – Piano

This concert series serves as a tribute to Mozart, who gave a concert with his sister Nannerl in Nymphenburg Palace for Elector Maximilian III when Mozart was seven years old and thus went down in history.

Johann Sebastian Bach – Prelude and Fugue, BWV 874
Bach’s Prelude and Fugue from The Well-Tempered Clavier, Book II, BWV 874, exemplifies his mastery of counterpoint. The Prelude opens with clear, flowing motifs that are both harmonically rich and rhythmically fluid, while the subsequent Fugue showcases the complexity of Bach’s polyphonic writing. Each voice develops independently yet remains perfectly intertwined, creating a tapestry of sound that demands precision, clarity, and deep musical understanding from the performer. The work invites the listener to explore the expressive potential of Baroque keyboard music.

Wolfgang Amadeus Mozart – Piano Sonata, K. 457
Mozart’s Piano Sonata in C minor, K. 457, composed in 1784, is one of his most emotionally intense sonatas. The first movement is charged with drama and tension, unusual for the Classical period, while the second movement offers lyrical warmth and subtle nuance. The final movement returns to vitality and rhythmic energy, completing the emotional arc of the work. This sonata perfectly balances Classical formal clarity with expressive depth, demonstrating Mozart’s extraordinary ability to translate inner conflict and emotion into music.

Sergei Prokofiev – Sonata in B-flat major, Op. 84
Prokofiev’s Sonata in B-flat major, Op. 84, composed in 1944, is a landmark of modern piano repertoire. It combines clear formal structures, rhythmic precision, and daring harmonic language, interweaving lyrical passages with virtuosic, often impulsive outbursts. Prokofiev’s characteristic mix of irony, drama, and melancholy requires both technical brilliance and interpretive insight. The sonata reflects a period of upheaval while opening a fascinating window into 20th-century piano music.

Variable program

Every Saturday you can expect a special cultural hallmark in the Munich Residence troughout the year. The Residence Soloists are performing in the Court Chapel (Hofkapelle) The historical atmosphere of the court chapel in which also Mozart was performing concerts lets you get in touch with the music of old times. You will find weekly changing performances with masterpieces ranging from Bach, Vivaldi, Haydn and Mozart.

Please notice: In summertimes the old court chapel is cool and in wintertimes it can be cold! Please wear warm clothes. 

Beethoven: Piano Concerto No. 4 in G major
Mozart: Symphony No. 41 in C major
Mozart: Overture from The Magic Flute

Chaewon Kim – piano & Residence-Soloists

An evening full of highlights from the Viennese Classical era awaits the audience in the magnificent Cuvilliés Theatre. The programme brings together Beethoven’s subtle inner dialogue with Mozart’s majestic symphonic brilliance.

The festive opening is set by the overture from The Magic Flute by Wolfgang Amadeus Mozart. It begins with a blend of ceremonial energy and mysterious tension, preparing the listener for the colourful yet profound world of the opera.

In Piano Concerto No. 4 in G major by Ludwig van Beethoven, the piano does not appear as a brilliant soloist alone but as a sensitive partner to the accompanying ensemble. The first movement opens unusually: the piano begins quietly and reflectively, gradually inviting the orchestra into its dialogue. The second movement unfolds in a lyrical, almost song-like mood, before the lively third-movement rondo lifts the listener with brightness and energy, releasing them from the calm of the middle sections.

Next comes Symphony No. 41 in C major by Wolfgang Amadeus Mozart, Mozart’s last and greatest symphony. With monumental clarity and a stunning balance of grandeur and delicate detail, it is at once majestic and playful. The final movement, in which five themes are intricately interwoven, showcases Mozart’s genius in contrapuntal mastery and allows the audience to experience the pure joy and lightness of Viennese Classicism.

An evening celebrating classical music in all its radiance, elegance, and vitality – a feast for both eyes and ears alike.