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Herkules Hall of the Munich Residence
Mendelssohn: Violinkonzert E-Moll
Telemann: Tafelmusik für Trompete, Oboe & Streicher
Händel: Suite für Trompete & Streicher D-Dur
Haydn: Trompetenkonzert
Beethoven: Symphonie Nr.3 „Eroica“ 1. Satz Allegro
GABRIELE CASSONE - Trompete
ROMAN KIM - Violine & Residenz Solisten
The Herkulessaal was originally the throne hall for King Louis I of Bavaria in the 19th century, built by Leo von Klenze, the court architect. After the Second World War in 1945, it was converted into a large concert hall after the actual Odeon concert hall was destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. The hall is named after the precious tapestries depicting the legend of Hercules, which were commissioned by Duke Albrecht V in 1556.
Enjoy wonderful hours in one of the largest concert halls in the city with the Residenz Soloists
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Program follows
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Programm:
Beethoven: Symphonie Nr.9
Vivaldi: „Herbst & Winter“ aus „Die vier Jahreszeiten“
Paolo Tagliamento - Solovioline & Residenz-Solisten
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Programm:
Mozart: Konzert für Flöte und Harfe Allegro
Brahms: Violinkonzert D- Dur
Debussy: Danse sacrée et dance profane
Smetana: „Die Moldau“
Tschaikowski: „Highlights aus Schwanensee & Nußknacker“
ROMAN KIM - Violine, J.anine Schöllhorn- Flöte,
Emilie Jaulmes- Harfe & Residenz-Solisten
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Programm:
Dvorak: Symphonie Nr.9 „Aus der neuen Welt“
Vivaldi: Concerto „léstro armonico“
Corelli: Weihnachtskonzert
Tschaikowski: „Highlights aus Schwanensee & Nußknacker“
Residenz-Solisten
The Hercules Hall was originally the throne room of Louis I and was built as a concert hall after its reconstruction. It served as a replacement for Klenze’s Odeon, which was also destroyed. Until the opening of the Philharmonie am Gasteig, it was the most important concert hall in Munich. Its name comes from the tapestries depicting the Hercules saga commissioned by Duke Albrecht V in 1556.
Herkules Hall of the Munich Residence
Programm:
Mozart: Ouverture aus „Die Zauberflöte“
Mozart: Symphonie Nr.31 D-Dur „Pariser“
Gershwin: Rhapsody in blue
Mozart: Klavierkonzert Nr.9 Es-Dur „Jeunehomme“
Strauß: „Fledermaus“-Ouvertüre & Polkas
Jure Gorucan - Klavier & Residenz Solisten
Der Herkulessaal war ursprünglich der Thronsaal von Ludwig I. und wurde nach dem Wiederaufbau als Konzertsaal errichtet. Er diente als Ersatz für Klenzes ebenfalls zerstörtes Odeon. Bis zur Eröffnung der Philharmonie am Gasteig war er der wichtigste Konzertsaal in München. Den Namen hat er von den Wandteppichen erhalten, die die Herkulessage darstellt und von Herzog Albrecht V. im Jahre 1556 in Auftrag gegeben wurde.